Letter · 1888

To A. S. Suvorin, 24 October 1888. Moscow.

A. С. СУВОРИНУ, 24 октября 1888 г. Москва.

Headnote

1 Written from Moscow on 24 October 1888 to Alexei Suvorin, six days after the detailed "Wood Demon" playbill letter of 18 October, this is a short note touching on four small pieces of literary business – a belated occasional piece, the illustrations for "Kashtanka," and two reflections on the play then called "The Wood Demon" – before closing with regards, a promise to visit in November, and a one-line postscript on Moscow news.

2 Chekhov reports that he was moved to write a short piece for an occasion, but that it came too late and turned out thin, since such things need to be dashed off in one sitting and he kept being interrupted by visitors and family (3). He mentions ordering illustrations for "Kashtanka" and is on his way to ask a painter-friend, an expert on dogs, to draw one for the cover (4). He then reflects, in two short successive notes, on the play/story project then called "The Wood Demon" ("Леший"): first that the material would suit a novel but that he lacks the strength for a novel just now and the favorable time hasn’t come, so a short story is what he can manage (5); then, shifting to the play itself, that if he were writing the comedy "The Wood Demon" he would foreground its "literariness" over its actors and stage, and would be grateful even for that much literary merit (6). He closes with regards from the household, a wish for Suvorin’s health, and a promise to come in November (7), signs off (8), and adds a final one-line postscript reporting that "Alexei Alexeyevich" is still in Moscow (9).

24 October 1888. Moscow.
24 октября 1888 г. Москва.
24 Oct.
24 окт.
Dear Alexei Sergeyevich, I was touched and I’ve written a little piece, which I enclose herewith. The subject is a good one, but the piece, it seems, came too late and turned out too skimpy. Things like this need to be written in one go, in five minutes, but I kept getting interrupted, now by visitors, now by the household.
Уважаемый Алексей Сергеевич, я умилился и написал заметку, которую при сем прилагаю. Тема хорошая, но заметка, кажется, опоздала и вышла слишком куцей. Такие вещи надо писать залпом, в 5 минут, а меня то и дело перебивали то визитеры, то домочадцы.
I’ve ordered drawings for "Kashtanka." I’m off now to see a friend, a painter, a great hunter who has studied dogs down to the marrow of their bones. I’ll ask him to draw a dog for the cover.
Я заказал к "Каштанке" рисунки. Еду сейчас к приятелю художнику, большому охотнику, изучившему собак до мозга костей. Попрошу его нарисовать собаку для обложки.
"The Wood Demon" would suit a novel, I know that perfectly well myself. But I haven’t the strength for a novel. The favorable time hasn’t yet come. A short story I can write.
"Леший" годится для романа, я это сам отлично знаю. Но для романа у меня нет силы. Не присне еще время благоприятное. Маленькую повесть написать можно.
If I were writing the comedy "The Wood Demon," I would put in the foreground not the actors and not the stage, but literariness. If the play had literary merit, I’d be thankful even for that.
Если бы я писал комедию "Леший", то имел бы на первом плане не актеров и не сцену, а литературность. Если бы пьеса имела литературное значение, то и на том спасибо.
Everyone here sends their regards to you. Keep well. I’ll come in November.
Все мои Вам кланяются. Будьте здоровы. Я приеду в ноябре.
Yours, A. Chekhov.
Alexei Alexeyevich is still in Moscow.
Алексей Алексеевич еще в Москве.

Cite this passage

To A. S. Suvorin, 24 October 1888. Moscow.

Pick a format and click Copy. The permalink jumps any reader to this exact section.

Support this project

Free to read here. Buy the ebook to support the work.

Ebook coming soon

The ebook edition in this language is on its way.(English)