A Chip Off the Old Block
Весь в дедушку
Headnote
1 “A Chip Off the Old Block” (Весь в дедушку, literally “the very image of grandfather”) appeared in 1883, when Chekhov was twenty-three and still publishing under the pseudonym “Antosha Chekhonte” in the comic weeklies that paid his way through medical school. It belongs to the earliest, fastest layer of his output: a scene built almost entirely out of a single night’s grumbling, with no plot beyond two men lying awake and trading accusations through a wall.
The story is a two-hander in the strict sense – a retired general, boarding on his grandson’s bread, and the grandson himself, both kept from sleep by fleas, both irritable, and both, it turns out, cut from exactly the same cloth. The old man’s tirade against the young man’s misconduct – stealing a neighbor’s wife, cheating a sister out of her land – collapses every time the grandson calmly points out that the old man did precisely the same things at the same age, and worse. “Heredity” becomes the running joke: not a scientific idea here but a comic alibi, wielded by a young rake to disarm an old one.
The comedy is fast, broad, and built on repetition – the drumbeat of “run you through the ranks” returning three times, always defeated by the same retort. It is Chekhov the sketch-writer at his most efficient: a single absurd premise, escalated in dialogue, resolved not by a moral but by both men getting up, bathing in the river, and drinking themselves to sleep, no wiser and no better. The closing line – that this happens every night – turns the whole scene into a fixed household ritual rather than a single quarrel, the quiet joke being that neither man will ever change, and neither, really, minds.