Letter · 1889

To A. M. Yevreinova, 24 September 1889. Moscow.

А. М. ЕВРЕИНОВОЙ, 24 сентября 1889 г. Москва.

Headnote

Anna Mikhailovna Evreinova was the editor of the journal Severny Vestnik ("The Northern Herald"), and by 1889 one of the few women in Russia to hold a doctorate in law (earned abroad, since Russian universities did not grant them to women). Chekhov had placed several stories with her, including "The Name-Day Party" earlier that year. Here he sends her "A Dreary Story (From the Notes of an Old Man)" – one of his most substantial works to date, a first-person narrative voiced by a dying elderly professor of medicine – and follows the submission with a short list of practical requests: the number of author’s offprints, insistence on seeing proofs, a plea to keep the story intact in a single issue rather than splitting it across two, and instructions for how he would like his fee paid.

Two points call for a gloss. First, the joke about the censor: the story’s opening scene evokes an "iconostasis" (the icon-screen in an Orthodox church) in a description of medals arranged on the narrator’s chest – Chekhov anticipates that the word’s proximity to a mildly irreverent, worldly context might draw a censor’s objection, and pre-clears a fallback substitution ("constellation"). almost certainly to Anna Grigoryevna Sibiryakova (nee Kuvshinnikova’s circle is a different family; this is likely a Evreinova-circle acquaintance or a matter under discussion between them, such as a submission, a subscription, or a mutual acquaintance’s affairs) that the two correspondents evidently both understood from prior exchange; nothing in this letter disambiguates it further, and it should be flagged for the entities/mentions stage as low-confidence rather than resolved here.

24 сентября 1889 г. Москва.
24 September.
24 сентябрь.
Многоуважаемая Анна Михайловна!
I am sending you a story – "A Dreary Story (From an Old Man’s Notes)." The story is indeed dreary, and told without much skill. To write the notes of an old man one must be old, but is it my fault that I am still young?
Посылаю Вам рассказ – "Скучная история (Из записок старого человека)". История в самом деле скучная, и рассказана она неискусно. Чтобы писать записки старого человека, надо быть старым, но виноват ли я, что я еще молод?
To my tale (or story – it’s all the same) I append a petition:
К повести своей (или к рассказу – это всё равно) прилагаю прошение:
1) 25 offprints.
1) 25 оттисков.
2) Send me the proofs – this without fail. There are a few spots I shall clean up in proof; a good deal slips by in manuscript and only surfaces once it is printed. I shall not hold the proofs longer than a day.
2) Пришлите корректуру – это непременно. Кое-какие места я почищу в корректуре; многое ускользает в рукописи и всплывает наружу, только когда бывает отпечатано. Корректуру я не продержу долее одного дня.
3) It would be highly desirable for the story to go into a single issue. To split it into two parts would be to make it twice as bad.
3) Было бы весьма желательно, чтобы рассказ вошел в одну книжку. Делить его на две части – значит сделать его вдвое хуже.
It will probably pass the censor without trouble. If the censor strikes out the word "iconostasis" on the first page, it can be replaced with "constellation" or something of the kind.
Цензуру он, вероятно, пройдет благополучно. Если цензор зачеркнет на первой странице слово "иконостасом", то его можно будет заменить "созвездием" или чем-нибудь вроде.
Now about the fee. I have plenty of money for the moment. If it is more convenient for your office to send me the fee in installments rather than all at once, then propose that they divide it into 4–5 parts and send it to me monthly. If I am in debt for anything, have them settle it.
Теперь о гонораре. Денег у меня пока много. Если для Вашей конторы удобнее высылать мне гонорар по частям, а не сразу, то предложите ей разделить его на 4–5 частей и высылать его мне ежемесячно. Если я должен что-нибудь, то велите погасить долг.
Ну, что Сибирякова?
All of mine send you their regards, and I do too, and wish you all good things. Give my regards to Maria Dmitrievna, and I shall write to Alexei Nikolayevich directly.
Все мои Вам кланяются, я тоже и желаю всего хорошего. Поклонитесь Марии Дмитриевне, а Алексею Николаевичу я буду писать сейчас.
Devotedly yours
Душевно преданный
А. Чехов.
Those medical publications that are sent to the editorial office for review – do not throw them out, but if possible keep them for your most humble servant. I always look with envy at your desk, where those publications lie, mixed in with all sorts of odds and ends.
Те медицинские издания, которые присылаются в редакцию для отзыва, не бросайте, а, если можно, берегите для Вашего покорнейшего слуги. Я всегда с завистью гляжу на Ваш стол, где лежат эти издания, перемешанные со всякой всячиной.

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To A. M. Yevreinova, 24 September 1889. Moscow.

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