Champagne
Шампанское. (мысли с новогоднего похмелья.)
Headnote
1 Champagne (“Shampanskoe,” subtitled “Thoughts from a New Year’s Hangover”) is a very short 1885 feuilleton, one of the brisk satirical squibs Chekhov turned out in quantity for the comic press of the period. It is less a story than a mock sermon: a string of aphorisms building a single extended conceit – that champagne, for all its glitter, is the drink of corruption, vanity, and hollow ceremony.
The piece runs through the occasions on which champagne appears – the embezzler’s celebration, the seduction of an innocent woman, the engagement toast, the jubilee, the wake, the New Year’s countdown – and finds hypocrisy or decay behind every one of them. The rhetorical machinery is heavily biblical and classical in register (Gomorrah, the gilded sepulchre of Matthew 23, the camel and the needle’s eye of Matthew 19, the serpent of Genesis), stacked for comic and moralizing effect rather than genuine homily; the tone is closer to a hungover feuilletonist’s grumbling than to real piety. The Widow Clicquot (Veuve Clicquot) stands in, as a brand name, for champagne itself.
As with much of Chekhov’s early journalism, the piece is occasional and slight – written to fill space in a New Year’s number of a comic weekly – but it previews the satirist’s eye for the gap between social ritual and what actually motivates people: money, vanity, and self-interest dressed up as celebration.