Letter · 1888

To N. A. Lei Kin, 5 October 1888. Moscow.

Н. А. ЛЕЙ КИНУ, 5 октября 1888 г. Москва.

Headnote

1 Written from Moscow on 5 October 1888 to the publisher and humorist Nikolai Alexandrovich Leikin, editor of "Oskolki" ("Splinters"), for which Chekhov had long written. Chekhov opens by reporting that he has just finished the story he had been laboring over all September for "Severny Vestnik" ("The Northern Herald") and is now catching up on correspondence, and asks whether Leikin is in town or at his dacha at Tosna, near St. Petersburg.

2 He thanks Leikin for a gift copy of "Down and Feathers" ("Пух и перья"), a collection of Leikin’s humorous sketches, praising its production and singling out a story about two shop clerks visiting their employer’s dacha. He then offers a considered comparison of two of Leikin’s novels: he ranks "The Satyr and the Nymph" ("Сатир и нимфа") below "Stukin and Khrustalnikov" ("Стукин и Хрустальников," here abbreviated by Chekhov in the source as "Стукина и Хр"), judging the former an easy, familiar, purely local Petersburg story populated by stock types, and the latter a more serious and original work – "almost the sole monument to the banking outrages of our time" – praising it for its larger design where "The Satyr" succeeds only in its particulars.

3 A brief anecdote follows: on a train along the Kharkov-Nikolayev railway line, Chekhov saw a fortune-telling "physico-chemical apparatus" – a glass cylinder holding a "sea creature" that, for five kopecks, dispensed a printed fortune – displaying sample photograph cards of celebrities, Leikin’s own portrait included among them, which Chekhov offers as a compliment to Leikin’s fame.

4 The letter closes with family and business matters: Chekhov’s brother Nikolai (the painter) is currently living with him, working steadily and having just made a drawing Chekhov recommended for "Oskolki"; Chekhov asks that any fee or parcel for Nikolai be routed not to Nikolai or to Chekhov himself but to their younger brother, Mikhail Chekhov (then a university student), since Chekhov has no time to collect the mail himself. Chekhov sends regards to Leikin’s wife, Praskovya Nikiforovna, his son Fedya, and to Viktor Viktorovich Bilibin, another "Oskolki" contributor.

5 October 1888. Moscow.
5 октября 1888 г. Москва.
5 Oct.
5 окт.
Greetings, most kind Nikolai Alexandrovich! Yesterday I finished the story for "Severny Vestnik," over which I fussed all through September, and today I am giving my soul a rest with letters. Where are you? In town, or at Tosna? I am writing to your town address.
Здравствуйте, добрейший Николай Александрович! Вчера кончил повесть для "Северн вестника", над которою возился весь сентябрь, и сегодня отвожу душу на письмах. Где Вы? В городе или на Тосне? Пишу по городскому адресу.
First of all – thank you for "Down and Feathers." It is a fine edition, the illustrations are quite decent and conscientious. The stories are chosen just as they should be. It is precisely such stories that I like best in your work. They have simplicity, humor, truth, and measure... I especially liked the story where two shop clerks come out to their employer’s dacha to visit, and the employer says to them: "Breathe! Why aren’t you breathing?" An excellent story.
Прежде всего – спасибо за "Пух и перья". Издание хорошее, рисунки очень приличные и добросовестные. Рассказы подобраны так, как нужно. Именно такие рассказы мне наиболее симпатичны у Вас. В них простота, юмор, правда и мера... Особенно мне понравился рассказ, где два приказчика приезжают к хозяину в гости на дачу и хозяин говорит им: "Дышите! Что ж вы не дышите?" Отличный рассказ.
By the way. I don’t believe I have yet written to you my opinion of "The Satyr and the Nymph." If you want to know my opinion, then first of all "The Satyr and the Nymph" stands far below "Stukin and Khr[ustalnikov]." "The Satyr" is a purely local, Petersburg novel; it takes in a narrow district long since studied over. In all these Zakolov, Akulina, Panteley, Tychinkin – except perhaps Akulina’s husband Danila – there is nothing new. They are all familiar figures; their story, too, is an old one, Katerina’s intriguing is likewise nothing new... The novel reads easily, cheerfully, one often laughs, toward the end it grows a little sad, and that is all. "Stukin," on the other hand, to which the critics paid no attention whatever, is something quite new, depicting what no writer has yet depicted. "Stukin" has a serious significance and is worth a great deal (in my opinion), and will serve as almost the sole monument to the banking outrages of our time; moreover, the figures in it are not Akulina and not Katerina, but birds of a far higher order. If "The Satyr" is good in its particulars, "Stukin" is good as a whole. Forgive this disconnected criticism. I don’t know how to criticize.
Кстати. Я, кажется, не писал еще Вам своего мнения о "Сатире и нимфе". Если хотите знать мое мнение, то прежде всего "Сатир и нимфа" стоят гораздо ниже "Стукина и Хр". "Сатир" роман чисто местный, питерский, захватывает он узкий и давно уже изученный район. Во всех этих Заколове, Акулине, Пантелее, Тычинкине, кроме разве мужа Акулины Данилы, нет ничего нового. Всё это знакомые; роман их тоже история старая, интриганство Катерины тоже не ново... Читается роман легко, весело, часто смеешься, в конце немножко грустно становится, и больше ничего. "Стукин" же, на которого критика не обратила никакого внимания, вещь совсем новая и рисующая то, чего ни один еще писатель не рисовал. "Стукин" имеет значение серьезное и стоит многого (по моему мнению) и будет служить чуть ли не единственным памятником банковских безобразий нашего времени; к тому же фигурируют в нем не Акулина и не Катерина, а птицы более высшего порядка. Если в "Сатире" хороши частности, то "Стукин" хорош в общем. Простите эту бессвязную критику. Не умею я критиковать.
Traveling along the Kharkov-Nikolayev line, I saw the following scene. In the carriage sits some fellow with a Tyrolean face, in a Hungarian hat. In front of him stands a "physico-chemical apparatus" with a glass cylinder, in which a "sea creature" swims about. For five kopecks anyone who wishes may get a photographic card with "his fortune" inscribed by the aforementioned creature. On the apparatus, four cards are displayed for show: Suvorov, Yu. Samarin, Patti, and yours. That must be gratifying to your author’s heart.
Проезжая по Харьково-Никол дороге, я видел такую картину. В вагоне сидит какой-то субъект с тирольской рожей и в венгерской шляпе. Перед ним стоит "физико-химический аппарат" со стеклянным цилиндром, в котором плавает "морской житель". За пятак каждый желающий получает фотогр карточку и "свою судьбу", начертанную помянутым жителем. На аппарате выставлены напоказ 4 карточки: Суворова, Ю. Самарина, Патти и Ваша. Это должно быть приятно Вашему авторскому сердцу.
The other day Nikolai made a drawing, quite a good one. I advised him to send it to "Oskolki." Did you receive it? Nikolai is living at my place, behaving quite soberly for now. He is working. Send him subjects for pieces, but only through my hands. When I get involved, his affairs go more briskly. By the way: if you are going to send him his fee, send it not in his name and not in mine (there’s no time to go to the post office), but in the name of my brother the student, Mikhail Chekhov. Send parcels to him under the same name too, should there be any.
На днях Николай сделал рисунок, очень недурной. Я посоветовал ему послать его в "Осколки". Получили ли Вы? Живет Николай у меня, пока очень степенно. Работает. Присылайте ему тем, но только через мои руки. Когда я вмешиваюсь, то дела его идут живее. Кстати: если будете высылать ему гонорар, то высылайте не на его имя и не на мое (некогда ходить на почту), а на имя моего брата-студента Михаила Чехова. На его же имя высылайте и посылки, буде таковые будут.
My regards to Praskovya Nikiforovna and Fedya, and also to Bilibin.
Keep well.
Будьте здоровы.
Your A. Chekhov.

Cite this passage

To N. A. Lei Kin, 5 October 1888. Moscow.

Pick a format and click Copy. The permalink jumps any reader to this exact section.

Support this project

Free to read here. Buy the ebook to support the work.

Ebook coming soon

The ebook edition in this language is on its way.(English)