Letter · 1888

To A. P. Lensky, 8 December 1888. Petersburg.

А. П. ЛЕНСКОМУ, 8 декабря 1888 г. Петербург.

Headnote

1 Written from Petersburg on 8 December 1888, this is the second letter in this corpus addressed directly to the actor Alexander Pavlovich Lensky of the Maly Theatre, following letter 3-513 (26 October 1888, Moscow), in which Chekhov reported that his one-act play "Kalkhas" – retitled "The Swan Song" – had cleared the dramatic censorship and the Literary Committee. Six weeks on and now writing from Petersburg rather than Moscow, Chekhov turns to different business entirely: thanking Lensky’s wife for a literary gift, discussing a request for oratorical specimens, and previewing a public reading of a new story. The warmly familiar, business-and- courtesy register of the first letter continues here.

2 Chekhov opens with thanks – relayed through Lensky – to Lidia Nikolaevna for a "legend" she has apparently sent or given him (the letter does not specify which legend; it is not otherwise identified in this corpus). He praises it as both good in itself and, so far as he can tell from talking with critics and poets, not yet used by anyone else in print. He weighs three options for it: folding it into the novella he is currently writing, spinning it off as a short independent tale, or giving it away outright to a poet – and leans toward the first, using it as an ornamental set piece within the novella. (The novella in question is not named here.)

3 He then turns to a second, unrelated request: Lensky had evidently asked him to help select "specimens of the orator’s art" (образцы ораторского искусства) – presumably passages of rhetoric for declamation or teaching – and Chekhov admits, to his own embarrassment, that he has not found a single one yet, calling the task harder in practice than he expected.

4 This leads him to propose a larger project: rather than hunting for scattered specimens, someone should compile a proper reader (хрестоматия) of them. He notes that the existing reader compiled by Weinberg is, by report in Petersburg, unsatisfactory to teachers and also very expensive, and suggests that Lensky assemble a committee of five or six people in Moscow to produce a better and cheaper one – estimating a year’s work and a cover price of about a ruble and a quarter. He asks Lensky to think it over so they can discuss it further when Chekhov is back in Moscow.

5 Chekhov closes with a preview of a public event: on the coming Monday he is to read his new story at the Literary Society, and anticipates a lively debate, singling out two formidable opponents by name – the lawyers Andreyevsky and Prince Urusov – before signing off with thanks again to Lidia Nikolaevna and a warm, conventional close.

8 December 1888. Petersburg.
8 декабря 1888 г. Петербург.
8 December.
8 декабря.
Dear Alexander Pavlovich!
Tell Lidia Nikolaevna that I am endlessly grateful to her for the legend. The legend has a double value: 1) it is good, and 2) so far as I can judge from conversations with critics and poets, it has nowhere yet been made use of. I like it so much that I am at a loss and do not know what to do with it: whether to insert it into my novella, or to make of it a little independent tale of its own, or else to go in for self-sacrifice and give it away to some poet or other. I shall probably settle on the first course, that is, insert it into the novella, where it will serve as an ornament.
Передайте Лидии Николаевне, что я бесконечно благодарен ей за легенду. Легенда имеет двойную ценность: 1) она хороша и 2) как можно судить из разговоров с критиками и поэтами, нигде еще не была утилизирована. Мне она так нравится, что я теряюсь и не знаю, что сделать: вставить ли ее в повесть, сделать ли из нее маленький самостоятельный рассказик, или же пуститься на самопожертвование и отдать ее какому-нибудь поэту. Я остановлюсь, вероятно, на первом, т. е. вставлю ее в повесть, где она послужит украшением.
As for "specimens of the orator’s art," I have not, to my shame, found a single suitable one yet. It has turned out in practice that choosing them is far harder than I could have thought.
Что касается "образцов ораторского искусства", то я, к стыду моему, не нашел еще ни единого подходящего. Оказалось на деле, что выбрать гораздо труднее, чем я мог думать.
A reader must be compiled, that is, one must take up the choosing of specimens as a special task. Weinberg’s reader, so they assure me here in Petersburg, is poor and does not satisfy the teachers. Besides which it is fiendishly expensive. Why should you not, in Moscow, gather together a committee of five or six people, and why should that committee not compile a reader? You are an experienced man; you could do it. It would take no more than a year to prepare the reader. If this idea is not repugnant to you, then turn it over in your mind – when I am back we shall talk it over and discuss the matter. I am convinced that a reader could be compiled that would cost no more than a ruble and a quarter.
Надо составить хрестоматию, т. е. заняться выбором образцов специально. Вейнберговская хрестоматия, как уверяют в Петербурге, плоха и не удовлетворяет преподавателей. К тому же она аспидски дорога. Отчего бы Вам в Москве не собрать комиссию из 5–6 человек и отчего бы этой комиссии не составить хрестоматию? Вы человек опытный, могли бы это сделать. Потребуется на хрестоматию не больше года. Если сия идея не противна Вам, то намотайте ее на ус – по приезде поговорим и обсудим дело. Я убежден, что можно составить хрестоматию, которая будет стоить не дороже рубля с четвертаком.
On Monday I am reading my new story at the Literary Society. The debate promises to be lively. I shall have to put my neck under the blows of such implacable dialecticians as the lawyers Andreyevsky and Prince Urusov. Still, God is with us!
В понедельник я читаю в Литературном обществе свой новый рассказ. Прения будут интересные. Придется ставить свою шею под удары таких неотразимых диалектиков, как адвокаты Андреевский и кн. Урусов. Впрочем, с нами бог!
I press your hand, and once again ask you to convey to Lidia Nikolaevna my heartfelt gratitude.
Жму Вам руку и еще раз прошу передать Лидии Николаевне мою сердечную благодарность.
Yours, A. Chekhov.

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To A. P. Lensky, 8 December 1888. Petersburg.

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