Letter · 1891

To E. M. Shavrova, 19 November 1891. Moscow.

E. M. ШАВРОВОЙ, 19 ноября 1891 г. Москва.

Headnote

Written from Moscow, this short letter opens with Chekhov smoothing over a social misstep: Shavrova had called on him and been turned away, apparently taking it as a snub. He explains himself at some length – he was ill and half-dressed when her card arrived, with visitors in his study whose presence would have embarrassed her, so he sent his brother Mikhail to explain rather than receive her – and gently chides her for having taken offense at what was, he insists, physical impossibility rather than any want of welcome.

The letter then turns to business: an inventory of nine Shavrova manuscripts he is holding, two of which ("Mikhail Ivanovich" and "The Little Young Lady") he judges publishable outright, one ("At the Circus") already rejected elsewhere, and the remaining titles too faded in his memory for him to render a verdict – a small window onto how much unsolicited apprentice work passed across Chekhov’s desk and how bluntly he tracked it. He needles her for her slow output ("only 15 stories" by this point) before closing with a brief note on his own poor health – a month housebound with influenza and a cough – and a request for twenty more stories, framed as necessary exercise for her.

The envelope address given at the end – Arbat, Bolshoy Afanasyevsky Lane, the Lachinova house – is her Moscow address at the time, distinct from the Kislovka address on his 16 September letter to her, suggesting a move in the intervening months.

19 November 1891. Moscow.
19 ноября 1891 г. Москва.
19 November.
19 ноябрь.
Dear Yelena Mikhailovna, I receive all beginning, continuing, and finishing authors – that is my rule, and your visit, apart from my authorship and yours, I held to be a great honor to me. Even if it were not so, even if for some reason I had not wished for your visit, I would still have received you, since I have enjoyed the widest hospitality from your family. I did not receive you, and at once asked my brother to go to you and explain the reasons. At the very minute your card was brought to me, I, sick and undressed (forgive the domestic detail), was sitting in my bedroom, while in my study there were people whose presence would have embarrassed you. So then, to receive you was physically impossible, and my brother was obliged to explain this to you, and you were obliged, as a decent and well-disposed person, to understand it, but you took offense... Well, God be with you.
Уважаемая Елена Михайловна, я принимаю всех начинающих, продолжающих и кончающих авторов – это мое правило, а Ваш визит, помимо моего и Вашего авторства, я почитал за великую честь для себя. Даже если бы не так, если бы я почему-либо не желал Вашего посещения, то и тогда бы я все-таки принял Вас, так как пользовался у Вашей семьи самым широким гостеприимством. Я Вас не принял и тотчас же попросил брата поехать к Вам объяснить причины. В ту минуту, когда подали мне Вашу карточку, я, больной и раздетый (простите бытовые подробности), сидел у себя в спальне, а у меня в кабинете находились люди, присутствие которых стеснило бы Вас. Итак, принять Вас было физически невозможно, и это должен был объяснить Вам брат, и Вы обязаны были, как порядочный и доброжелательный человек, понять это, но Вы обиделись... Ну, и бог с Вами.
Of your stories I am keeping the following: 1) "Dead People." 2) "At the Circus." 3) "In vino." 4) "Kashtanka." 5) "Mikhail Ivanovich." 6) "Nerves." 7) "The Little Young Lady." 8) "Without a Mask." 9) "A Mistake." Of these, Nos. 5 and 7 are undoubtedly fit for print, "At the Circus" was rejected for some reason even by "The Artist," and the rest, forgive me, has worn out of my memory to such a degree that I remember only the skeletons of the stories, but do not remember at all the details or that substance which decides the fate of every story.
Из Ваших рассказов я сохраняю следующие: 1) "Мертвые люди". 2) "В цирке". 3) "In vino". 4) "Каштанка". 5) "Михаил Иванович". 6) "Нервы". 7) "Маленькая барышня". 8) "Без маски". 9) "Ошибка". Из них No 5 и 7, несомненно, годны для печати, "В цирке" забраковано почему-то даже "Артистом", а остальное, простите, до такой степени выветрилось в моей памяти, что я помню только остовы рассказов, но совсем не помню подробностей и той сути, которая решает судьбу всякого рассказа.
But can it really be that you have written only 15 stories so far? At that rate you will not have learned to write even by the age of 50.
Но неужели до сих пор Вы написали только 15 рассказов? Этак Вы и к 50 годам не научитесь писать.
My health is poor. A whole month has already passed since I have sat at home without going out. Influenza and a cough.
Здоровье мое плохо. Уже месяц прошел, как сижу безвыходно дома. Influenza и кашель.
I wish you all the best. Write 20 more stories and send them. I will read them all with pleasure, and exercises are necessary for you.
Желаю Вам всего хорошего. Напишите еще 20 рассказов и пришлите. Я всё прочту с удовольствием, а для Вас экзерциции необходимы.
Devoted to you,
Преданный
On the envelope:
На конверте:
Here,
Здесь,
Arbat, Bolshoy Afanasyevsky Lane, Lachinova’s house
Арбат, Б. Афанасьевский пер., д. Лачиновой

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To E. M. Shavrova, 19 November 1891. Moscow.

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