To A. S. Suvorin, 11 March 1889. Moscow.
А. С. СУВОРИНУ, 11 марта 1889 г. Москва.
Headnote
1 Written from Moscow on 11 March 1889 to Alexei Sergeyevich Suvorin, the publisher of "Novoye Vremya" and Chekhov’s principal correspondent and confidant of this period. A characteristic mixed letter: bantering personal talk, an extended progress report on Chekhov’s novel-in-progress, a proof-sheet note, and then a comic set piece built around a newspaper advertisement Chekhov transcribes and mocks.
2 After the double dateline (1-2), Chekhov opens by teasing Suvorin for not buying the Kharkov estate under discussion, on the grounds that Suvorin never mentioned whether it had a river, and spins this into a mock-sentimental bit about a local surgeon who woos people into buying neighboring land (3). He turns to photographs – Suvorin’s is wanted, his own is merely in demand from strangers – capped by a proverbial line about finding a cap to fit even a very plain man (4). He then reports at length on the novel he is writing, "Stories from the Life of My Friends," describing its structure as a cycle of linked self-contained stories rather than a patchwork, and defends a student character Grigorovich worried would be "superfluous" by dying partway through (5), admits his own technical weakness and lists the stock character types he means to avoid, though he expects to lapse into cliche here and there (6), and notes he has just received and is forwarding the proofs of "The Princess" ("Княгиня") (7).
3 The letter’s back half is a comic set piece: Chekhov introduces "for dessert" an advertisement from the newspaper "Russkie Vedomosti" (8) and transcribes it in full – a listing for a governess/companion of a certain age, required to share the pedagogical views of several named public moralists and to instill in her charges "strict truthfulness, goodness, and love of one’s neighbor" while avoiding overexertion (9-11). He then mocks the ad’s rhetoric of enlightened child-rearing as a kind of "freedom of conscience" that is really another form of obligation, for governess and children alike (12), and adds the dry aside that people are strange for fearing freedom (13). This launches a more serious digression: a "Novoye Vremya" item praising German housemaids for grueling labor at low pay, and blaming Russian households for keeping "too many superfluous servants," draws a pointed rebuttal from Chekhov – that servants are not convicts but free laborers "made of the same flesh as Bismarck," that dearer labor makes for a happier state, and that any genuinely superfluous servants are found only among the rich and are not worth counting (14). He closes with a repetition of the letter’s opening sentimental refrain, now addressed as a real question – why doesn’t Suvorin come to Moscow? (15) – and signs off (16).