Letter · 1889

To I. L. Leontyev, 16 March 1889. Moscow.

И. Л. ЛЕОНТЬЕВУ (ЩЕГЛОВУ), 16 марта 1889 г. Москва.

Headnote

1 Written from Moscow on 16 March 1889 to Ivan Leontyevich Leontyev, the playwright and prose writer who published under the pen name Ivan Shcheglov, already established elsewhere in this corpus as one of Chekhov’s closest theatrical confidants. A short, rapid-fire note mixing business (the distribution of copies of "Ivanov"), a joking proposal, an affectionate sign-off, an irritated aside about marriage gossip, and a one-line postscript-like close.

2 After the double dateline (1-2), Chekhov opens by addressing Shcheglov’s inquiry, apparently made on behalf of a third party ("Bazarov"), about obtaining copies of Chekhov’s play "Ivanov" – here called by its self-mocking nickname "Bolvanov" – for resale; Chekhov says he has no notice of any such request and no hundred copies to spare, but offers 25 that are lying on his windowsill, to be sold at a ruble each with the proceeds going to Svobodin for the Society for Aid to Stage Performers (3). He then tosses off a joking proposal that Shcheglov, by analogy with Moscow’s Korsh Theater, open a "Shcheglov Theater" in Petersburg, insisting – for comic effect – that he means it seriously (4). He closes abruptly for lack of time with an affectionate French endearment (5). A separate, more irritated note follows: gossip that Chekhov is about to marry a wealthy woman has reached him not directly but through general chatter that students are now repeating, which he dismisses with a single contemptuous word, "depravity" (6), before a philosophical shrug that everything in the world is nonsense anyway (7). The letter closes with a comic foreign-flavored signature, "Antoine Tshekof" (8), and a final one-line addition reporting his return from a trip to Kharkov the day before (9).

16 March 1889. Moscow.
16 марта 1889 г. Москва.
16 March.
16 март.
Dear theater-lover, I’ve had no notice from Bazarov, and I know nothing about his wanting my "Bolvanov." I haven’t a hundred copies, but if he likes I can send him 25, which are lying about on my windowsill. I’ll send them, and you can skin him for a ruble apiece, and give the money to Svobodin for the Society for Aid to Stage Performers.
Милый господин театрал, никаких заявлений от Базарова я не получал, и о желании его иметь моего "Болванова" я ничего не знаю. Ста экземпляров у меня нет, но если ему угодно, то я могу выслать ему 25 экз., каковые валяются у меня на окне. Я вышлю, а Вы сдерите с него по рублю за экземпляр, а деньги отдайте Свободину для Общества вспомоществования сценическим деятелям.
In Moscow there is the "Korsh Theater." Open a "Shcheglov Theater" in Peter. I’m speaking seriously.
В Москве есть "Театр Корша". Откройте в Петере "Театр И. Щеглова". Я говорю серьезно.
I’m in a hurry, no time to write more, so farewell, mon ange my angel (French: mon ange)..
Спешу, писать больше некогда, а потому прощайте, мон анж мой ангел (франц. mon ange)..
Gossip annoys me – not because you write to me about it, but because everyone writes about it, and the students repeat it. All the students are saying I’m marrying a millionairess. Depravity.
Меня злят сплетни не потому, что Вы о них мне пишете, а потому, что все о них пишут, а студенты повторяют их. Все студенты толкуют о том, что я женюсь на миллионерше. Разврат.
Still, everything in this world is nonsense.
Впрочем, всё вздор на этом свете.
Yours, Antoine Tshekof.
Ваш Antoine Tshekof.
And yesterday I got back from Kharkov!
А вчера я вернулся из Харькова!

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To I. L. Leontyev, 16 March 1889. Moscow.

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