Letter · 1889

To A. N. Pleshcheyev, 25 December 1889. Moscow.

А. Н. ПЛЕЩЕЕВУ, 25 декабря 1889 г. Москва.

Headnote

Written from Moscow on 25 December 1889 (Old Style) to Aleksei Nikolaevich Pleshcheev (1825-1893), poet, translator, and by this date the influential literary editor of Severny vestnik (The Northern Herald) – one of Chekhov’s most trusted older correspondents and an early champion of his work. The letter opens with Christmas and New Year greetings and then moves through a run of theater and literary business typical of their correspondence in this period.

Chekhov reports on the fate of Pleshcheev’s translation of a play called The Struggle for Existence: he overheard the editorial staff of the journal Artist deciding not to print it (a rival translation, said to have been promised long before, will run instead), scolded them for having wasted Pleshcheev’s effort on a translation they knew could not be used, and separately reports that Abramova’s theater company is not going to stage the play either, despite claims otherwise – leaving what he considers the best of several rival translations without an outlet. He then thanks Pleshcheev for sending him the play Struensee (evidently in Pleshcheev’s translation or a copy he sent), gives a mixed review – likes it overall, finds some scenes overly picturesque ("German tray painting"), dislikes the ending – and extends the play’s political types (the reforming minister Struensee, the courtier Rantzau, the colorless court lady) into a wry aside about equivalent types in Russian provincial and court life. Chekhov then explains he cannot yet travel to Petersburg to see Pleshcheev because of an upcoming meeting of the Society of Russian Dramatic Writers and Opera Composers, of which he is a committee member; he alludes to some confusion at a recent Petersburg meeting of the society that he regrets not attending in person. He announces the imminent premiere of his own play The Wood Demon (Leshy) at Abramova’s theater on 27 December, reports favorably but cautiously on the rehearsal (liked the male cast, hasn’t judged the actresses yet, expects it to do well in the provinces for its comic, true-to-life characters), gives a one-line complaint about the snowless Moscow winter, passes on family health news (an influenza has just passed through the household), asks after Pleshcheev’s family and after their mutual friend Ivan Shcheglov, mentions a headache and a plan to go for a walk, and closes with holiday greetings from himself and his sister to Pleshcheev’s household, signing simply "Yours, A. Chekhov."

25 Dec.
25 дек.
Hello, dear Aleksei Nikolaevich, I congratulate you on Christmas and on the coming New Year!
Здравствуйте, милый Алексей Николаевич, поздравляю Вас с Рождеством и с наступающим Новым годом!
But let me begin at the beginning. I happened to be at the office of Artist and found the editor there, leafing through your translation of The Struggle for Existence. Sitting near the editor was someone else, some X or other in the manner of an editorial secretary, or of Goltsev. The two of them sat there discussing the fact that the translation would not be printed. Afraid they might tell you some nonsense about it, I asked leave to sit down and write to you about the fate of your translation: the translation by Matternag will be printed, the one long since promised, and I am amazed at this reckless editorial office, which troubled you and knew perfectly well that your translation could not go through. I gave them a scolding. Now about Abramova’s theater. As far as I can make out Solovtsov and his crew, they are not going to stage The Struggle at all, though they lie and say they will put it on after the holidays. In short, the best translation of The Struggle will be left at peak interest, which infuriates me terribly. Besides yours, I know of three more translations that are already doing their work in the provinces; poor translations, in coarse cloth-drab language... They say the translation running at Korsh’s is bad to the point of absurdity. What an order of things, devil take it!
Впрочем, начну с самого начала. Был я как-то в редакции "Артиста" и застал там редактора, перелистывающего Ваш перевод "Борьбы за существование". Около редактора сидел еще кто-то, какой-то икс на манер редакционного секретаря или Гольцева. Оба сидели и рассуждали о том, что перевод не будет напечатан. Боясь, чтобы они не наврали Вам чего-нибудь, я попросил позволения сесть и написать Вам о судьбе Вашего перевода; будет напечатан перевод Маттернаг которому давно уже было обещано, и меня удивляет эта бесшабашная редакция, утруждавшая Вас и знавшая наверное, что Ваш перевод не может пойти. Я их обругал. Теперь о театре Абрамовой. Насколько я могу понять Соловцова с братией, "Борьбу" они вовсе не будут ставить, хотя и врут, что поставят после праздников. Короче говоря, лучший перевод "Борьбы" останется при пиковом интересе, что страшно возмущает меня. Кроме Вашего, мне известны еще три перевода, которые уже делают свое дело в провинции; переводы плохие, язык драповый... Говорят, что перевод, идущий у Корша, плох до смешного. Порядки, чёрт бы их взял!
I received Struensee. My heartfelt thanks. I have read it. It is a good play, but there is much in it of coloring that recalls German tray painting. For example, the scenes with the pastor... The ending did not satisfy me. But on the whole I liked the play. Russia too needs its own Struensee, as it once needed a Speransky... Gentlemen of the Rantzau sort turn up now and then among our marshals of the nobility, in the zemstvo, in the army, but in Petersburg there are none. Instead there are plenty of Kellers and court ladies, who are equally harmful and colorless at every court and in every play.
Получил я "Струэнзе". Сердечно благодарю. Я прочел. Пьеса хорошая, но много в ней красок, напоминающих немецкую подносную живопись. Например, сцены с пастором... Конец меня не удовлетворил. Но в общем пьеса мне понравилась. России тоже нужен свой Струэнзе, как был когда-то нужен Сперанский... Господа вроде Ранцау попадаются у нас изредка среди предводителей дворянства, в земстве, в армии, но в Петербурге их нет. Зато много Келлеров и придворных дам, которые одинаково вредны и бесцветны во всех дворах и во всех пьесах.
I am longing to come to you in Petersburg, but I cannot leave before the meeting of the members of the Society of Dramatic Writers, at which I am obliged to be present, as a member of the Committee. When this meeting will take place is not yet known. It must be at the start of January. Your Petersburg meeting understood very little and muddled a great deal, so that it is hard even to untangle now. I am sorry I did not go to Petersburg at the time; one of the Committee members ought to have been present at your meeting and given some explanations. When we meet I will tell you what the matter was.
Я рвусь к вам в Петербург, но не могу выехать раньше собрания членов О-ва драм писателей, на котором я обязан присутствовать, как член Комитета. Когда будет это собрание, пока еще неизвестно. Должно быть, в начале января. Ваше петербургское собрание многого не поняло и много напутало, так что и распутать трудно. Я жалею, что не поехал тогда в Петербург; следовало бы кому-нибудь из членов Комитета присутствовать у вас на собрании и дать разъяснения. При свидании я расскажу Вам, в чем дело.
I was at the rehearsal. I liked the men on the whole, but I have not yet had a good look at the ladies. It seems to be moving along briskly. The actors like the play. As for printing it, we will talk about that too when we meet. As far as one can judge from the rehearsal, the play will go over famously in the provinces, for there is comic material enough and the people are all alive, familiar to provincial life.
Был я на репетиции. Мужчины мне понравились в общем, а дам я еще не разглядел. Идет, по-видимому, бойко. Актерам пьеса нравится. О печатании ее поговорим тоже при свидании. Насколько можно судить по репетиции, пьеса шибко пойдет в провинции, ибо комического элемента достаточно и люди все живые, знакомые провинции.
The winter in Moscow is wretched, not worth spitting on. There is no snow.
Зима в Москве плохая, хоть плюнь. Снегу нет.
Everyone at home is well, and so am I. The influenza has passed for everyone. And how are you getting on? How are your family? Do you see Jean Shcheglov?
Все мои здоровы, я тоже. Инфлуэнца прошла у всех. А Вы как поживаете? Что Ваши? Видаете ли Жана Щеглова?
My head aches. I’ll go out for a walk, to get some fresh air.
Голова у меня болит. Поеду погулять, подышать свежим воздухом.
Everyone at home sends bows. My sister sends her greetings and congratulations. I bow to all of yours and pray heaven to guard your household from every foe and villain. God grant you all good things!
Все мои кланяются. Сестра шлет свой привет и поздравление. Я кланяюсь всем Вашим и молю небо, чтобы оно охранило Вашу квартиру от всякого врага и супостата. Дай бог Вам всего хорошего!
Yours, A. Chekhov.

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To A. N. Pleshcheyev, 25 December 1889. Moscow.

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