person
Alexander Dmitryevich Kurepin
Kurepin
also: Курепин
A journalist who took over the editorial management of the satirical magazine "Budilnik" (The Alarm Clock) around late 1882, judged by Chekhov to have made it worse than before.
Reading notes
- To Al. P. Chekhov, 25 December 1882. Moscow. §10 Kurepin
Alexander Dmitryevich Kurepin, a journalist who took over management at "Budilnik" around this time, here judged by Chekhov to have made the magazine worse.
- To Ye. I. Yunosheva, 1884. Moscow. §4 Alexander Dmitrievich Kurepin
Journalist who had taken over the editorial management of Budilnik; here acting as the one who will actually hand out the translation work.
- To Al. P. Chekhov, 22–23 February 1887. Moscow. §9 no Kurepin feuilleton
Alexander Kurepin, editor of Budilnik from the early 1880s and a regular feuilletonist there; Chekhov notes the unexplained absence of his usual Saturday piece.
- To N. M. Yezhov and A. S. Lazarev, 13–14 August 1887. Babkino. §6 Kurepin
Alexander Dmitryevich Kurepin, a journalist and editor of the satirical magazine "Budilnik" (The Alarm Clock); Chekhov proposes routing the certificate's notarization through Kurepin as the necessary intermediary, since he himself will be away and the police cannot certify it in his absence.
- To A. S. Suvorin, 8 September 1891. Moscow. §5 Kurepin is hopelessly ill
Alexander Dmitryevich Kurepin, the journalist and humorist who had edited \emph{Budilnik} ("The Alarm Clock") in the early 1880s, where the young Chekhov placed some of his earliest comic pieces; here, less than a decade later, Chekhov reports Kurepin's terminal illness with clinical exactness (cancer of the neck, the coming destruction) that reflects his own medical training as much as any personal closeness, and pivots directly from the report into the meditation on death that follows in \S6.
- To A. S. Suvorin, 26 November 1891. Moscow. §3 Kurepin is already unconscious
The source text reads "Курении" at this point ("Курении уже в бессознательном состоянии..."), a typographical slip for "Курепин" -- the same man named at the start and close of this section ("Курепина", "Курепиным", "Курепину") and the letter's entire subject. This edition renders the slip as "Kurepin" for coherence, per the corpus's convention of correcting evident source typos silently in the running translation while flagging them here: no meaning turns on the misprint, and reproducing it in English ("Kurenii" or similar) would only introduce confusion where the Russian original has none, since "Курении" is not a real word or name and is legible to a Russian reader as a slip of the pen or the compositor's stick.
- To A. S. Suvorin, 30 November 1891. Moscow. §8 Today they buried Kurepin.
Alexander Dmitryevich Kurepin, the journalist and sometime "Budilnik" (The Alarm Clock) editor whose final illness and his wife's request for a 500-ruble loan Chekhov reported four days earlier in, \S3 (26 November 1891), where he noted Kurepin "is already unconscious, and will die any day." That prediction has now been borne out: this section reports the funeral itself, with "Novoye Vremya" sending the largest (if not the handsomest) of six wreaths, and Chekhov's quietly elegiac closing image of missing Kurepin as a familiar face at the theater -- a small, personal coda to the practical, money-focused account of his final days in the earlier letter.
- To A. S. Suvorin, 17 February 1890. Moscow. §4 the prison book in the blue cover
An unidentified book on prison/penal matters passed to Kurepin for his professional attention; given the timing -- two months before Chekhov's own departure for Sakhalin -- it is almost certainly connected, directly or by association, to the reading he was doing to prepare for the trip, though the letter does not name the title or author.