Letter · 1889

To Ye. K. Sakharova, 13 January 1889. Moscow.

Е. К. САХАРОВОЙ, 13 января 1889 г. Москва.

Headnote

1 A New Year’s reply of 13 January 1889 from Moscow to Elizaveta Konstantinovna Sakharova, apparently the wife of a provincial painter seeking Chekhov’s help in bringing a picture to Moscow for exhibition. The bulk of the letter is practical brokering – introductions, venues, timing – wrapped in Chekhov’s characteristic self-deprecation about his own influence, followed by a run of quick, unrelated personal notices before the sign-off and envelope.

2 Chekhov thanks Sakharova for her letter, which he calls a "New Year’s surprise," and notes wryly that many of his old acquaintances have proved the kind of people Lermontov described as having betrayed their cause and sold their swords (a two-line quotation, given as its own section, from Lermontov’s poem "Borodino"). He then turns to business: though he disclaims real influence in Moscow art circles (claiming close acquaintance only with the painter Levitan and a handful of dilettantes, and calling himself a stranger in Moscow who merely poses as a doctor there), he offers concrete help – advising that the husband bring the painting to Moscow in person, ideally exhibiting during Lent, and recommending a hall belonging to the Society of Art and Literature in the Malkiel house on Tverskaya Street (formerly the Pushkin Theatre). He directs the husband to the actor A. P. Lensky, a friend of his close to the Society, who can make the introduction; if Chekhov himself is not in Moscow (he leaves for Petersburg on the 19th to stage his play), the husband should apply instead to Chekhov’s sister Maria Pavlovna, or, failing her, to "the student Misha" – almost certainly Chekhov’s youngest brother Mikhail, then a university student. Chekhov promises newspaper notices will be arranged.

3 The letter then breaks into a string of short, disconnected personal items, written in evident haste (he explicitly apologizes for writing "incoherently" as he rushes to a rehearsal of Suvorin’s play "Tatyana Repina"): he has never visited Kharkov and dislikes the city, whose newspapers he says abuse him mercilessly; he reports the family’s summer plans (near Sumy or in Poltava province) and asks after Sakharova’s sisters; he jokes that his vaudeville "The Bear" ought to be renamed "The Milch Cow" for how much money it has earned him, exclaiming over the paying public; and he notes that the previous day was Tatyana’s Day (the Moscow University founding anniversary, traditionally marked by heavy student and alumni drinking), adding that his hands are still shaking from it. He closes by restating that the husband must come to Moscow in person, sends good wishes, and signs off, followed by the envelope address to Sakharova in Kharkov.

13 January 1889. Moscow.
13 января 1889 г. Москва.
13 Jan.
13 янв.
First of all, many thanks for remembering me and for the New Year’s surprise – that is what I call your letter. It is all the more welcome because among my old acquaintances there are a great many of those very people of whom Lermontov once said:
Прежде всего большое Вам спасибо за память и за новогодний сюрприз – так я называю Ваше письмо. Оно тем более приятно, что среди моих старых знакомых очень много тех самых людей, про которых еще Лермонтов сказал:
Now to business. I am wholeheartedly ready to be of use to you and your husband. Unfortunately I am not so knowledgeable and influential a man as you write. In Moscow I am acquainted with only one painter – Levitan, whom you know – and, perhaps, another dozen dilettantes besides. I am close and familiar only with Petersburg; in Moscow I am a stranger and unrecognized. In Moscow I play at being a doctor and nothing more. I am an impractical man, and so on and so forth. There is very little I can do for you, namely: 1) advise your husband not to abandon the idea of coming to Moscow with the painting; in Moscow he will have solid success and can earn a good deal. The most suitable time for an exhibition, it seems to me, is Lent; 2) come to Moscow himself as soon as possible and look for a venue; there are many venues in Moscow – I recommend one of the halls of the Society of Art and Literature in the Malkiel house on Tverskaya, where the Pushkin Theatre used to be. The Society consists entirely of very kind and obliging people who, I think, will gladly help your husband if he applies to them. On arriving in Moscow your husband should turn first of all to the actor of the Maly Theatre, A. P. Lensky, with whom I have already spoken about the painting; he stands very close to the Society, is a friend of mine, and altogether a kind man. He will undertake to introduce your husband to the Society and will see to things. On the 19th of January I leave for Petersburg to stage my long play. If your husband does not find me in Moscow, let him apply to my sister M. P.: she will introduce him to Lensky. And if she too should have left for Petersburg, then full authority will be given to the student Misha.
Теперь о деле. Всей душой готов быть полезен Вам и Вашему мужу. К сожалению, я не такой сведущий и сильный человек, как Вы пишете. В Москве я знаком только с одним художником – с Левитаном, которого Вы знаете, да, пожалуй, еще с десятком дилетантов. Знаком я близко и коротко только с Питером, в Москве же я чужой и непризнанный. В Москве я изображаю из себя доктора и больше ничего. Человек я непрактический и проч. и проч. Я могу сделать для Вас очень немногое, а именно: 1) посоветовать Вашему мужу не покидать идеи о поездке с картиной в Москву; в Москве он будет иметь основательный успех и может заработать немало. Для выставки самое подходящее время, как мне думается, великий пост, 2) поскорее приехать в Москву лично и поискать помещение; помещений в Москве много; я рекомендую одну из зал Общества искусств и литературы в доме Малкиеля на Тверской, где прежде был Пушкинский театр. Общество всплошную состоит из очень милых и обязательных людей, которые, я думаю, охотно помогут Вашему мужу, если он обратится к ним. По приезде в Москву Вашему мужу следует обратиться прежде всего к артисту Малого театра А. П. Ленскому, с которым я уже говорил о картине; он очень близко стоит к Обществу, мой приятель и вообще милый человек. Он возьмется познакомить Вашего мужа с Обществом и похлопочет. 19-го янв я уезжаю в Петерб ставить свою большую пьесу. Если Ваш муж не найдет меня в Москве, то прошу его обратиться к сестре М П: она познакомит его с Ленским. Если же и сестра уедет в Петербург, то полномочия будут даны студиозу Мише.
We shall see to notices in the newspapers.
Заметки в газетах сделаем.
I have never once in my life been to Kharkov. I do not love that city. The Kharkov newspapers abuse me mercilessly. What sacrilege!
В Харькове я не был ни разу в жизни. Не люблю я сего города. Харьковские газеты меня ругают нещадно. Какое кощунство!
Unfortunately I am in a hurry and have not one free minute. I must go to the rehearsal of Suvorin’s "Tatyana Repina." My thoughts are tangled from haste, and I feel I am writing incoherently. Forgive me.
К сожалению, я спешу и не имею ни одной свободной минуты. Надо ехать на репетицию суворинской "Татьяны Репиной". Мысли от спешки путаются, и чувствую, что пишу нескладно. Простите.
In summer the family will again be living near Sumy, or else in Poltava province. Where are your sisters, and how are they getting on?
Летом семья будет жить опять около Сум или же в Полтавской губ. Где Ваши сестры и как они поживают?
My "Bear" ought really to be called "The Milch Cow." It has brought me more than any story. Oh, the public!
Мой "Медведь" следовало бы назвать "Дойной коровой". Он дал мне больше, чем любая повесть. О публика!
Yesterday was Tatyana’s Day. My hands are still shaking a little on that account. In case you have forgotten what Tatyana’s Day means, let me remind you: the university’s anniversary.
Вчера была Татьяна. Немножко дрожат руки по сему случаю. Если Вы забыли, что значит Татьяна, то я напомню: университетская годовщина.
So, in sum: your husband must come to Moscow himself; and all of us are at his service. In his absence, without having seen the painting, nothing can be done.
Итак, резюме: Вашему мужу необходимо самому приехать в Москву, а все мы к его услугам. Заочно, не видавши картины, ничего нельзя сделать.
Be well and happy. Everyone here sends you their warm regards.
Будьте здоровы и счастливы. Все мои шлют Вам сердечный привет.
Yours, A. Chekhov.
Ваш А. Чехов.
On the envelope:
На конверте:
Харьков,
Staro-Kladbishchenskaya St., 27
Старо-Кладбищенская ул., 27

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