To A. S. Suvorin, May 1889. Sumy.
А. С. СУВОРИНУ, Начало мая 1889 г. Сумы.
Headnote
1 Written in early May 1889 from Sumy, where Chekhov had settled for the summer at the Lintvaryova family estate on the Psel river, to his close friend and patron Alexei Suvorin. It is a relaxed, discursive vacation letter mixing nature description, a sharp literary judgment on Goncharov’s "Oblomov" set against praise of Gogol, family and household gossip, and a joking, mock-formal sign-off under an invented persona.
2 After the double dateline (1-2), Chekhov opens with an exclamatory description of the sudden spring at Sumy – birdsong, warm weather, blossoming orchards (3). He complains, in a joking register, that "Stiva" has forgotten to send the boats, leaving him to walk the riverbank and envy the local fishermen, and describes his regular country routine of early hours, heavy eating, reading, and writing, alongside a passing note that "the painter" is ill and in a bad way (4). This leads into the letter’s longest and most substantive passage: a sudden, considered demolition of Goncharov’s reputation and his novel "Oblomov" – the title character dismissed as an overdrawn, insubstantial nonentity unworthy of elevation to a social type, the supporting cast (Stolz, Olga) called half-invented and stilted, and the whole book faulted for a pervasive coldness – ending with Chekhov formally striking Goncharov from his personal list of "demigods" (4). By contrast, praises Gogol’s "The Carriage" extravagantly and offers brisk, specific judgments on the best and worst acts of "The Government Inspector" and "Marriage." turns to travel daydreaming – Chekhov imagines joining Suvorin at Biarritz if not for the painter’s illness, and promises a European trip the following year once his novel is finished and money can be found. is a piece of literary-market business: Suvorin’s bookcase at the Sumy station is out of stock of Chekhov’s own books, and a resupply is requested.-9 are two one-line items: nocturnal howling dogs, and progress on the play "The Wood Demon." The letter closes with family regards to Suvorin’s wife and children and a stray remark about a dream (10), a mock-pious blessing (11), and a comic false signature (12).
4 No corruption or editorial gap markers appear in the source. The document reads as a single, internally coherent letter throughout – dateline, body, closing greetings, and signature in the expected sequence – with no sign of archival concatenation with unrelated back-matter.