Letter · 1888

To A. N. Pleshcheyev, 4 October 1888. Moscow.

A. H. ПЛЕЩЕЕВУ, 4 октября 1888 г. Москва.

Headnote

1 Written from Moscow on 4 October 1888 to the poet and editor Alexei Nikolayevich Pleshcheev, part of the same October run of letters as Chekhov’s 2 October letter to the publisher Aleksey Suvorin and his earlier 30 September letter to Pleshcheev. Chekhov reports having finished and submitted a story to "Severny Vestnik" ("The Northern Herald") and describes a hard, cashless September in which he pawned belongings and paid down part of a debt to Suvorin.

2 He passes on theater business regarding "Brass Foreheads," a play by Ivan Leontiev (writing as I. Shcheglov, whom Chekhov elsewhere calls "Jean"), including the royalty percentages paid by the Korsh theater and a correction to the per-act fee Korsh pays the playwrights’ society. He mentions a visit from Pavel Lintvaryov – a member of the Lintvaryov family, at whose Sumy estate the Chekhovs summered, here trying (unsuccessfully, Chekhov predicts) to enroll at the Petrovsky Academy while under police surveillance. He then turns to Shcheglov himself, in Moscow at the time: his play "The Summer Husband" failed locally but is expected to do better in Petersburg and the provinces, and Chekhov gives frank, unsparing craft advice, urging him to abandon his moralizing and his single stock setting/character type and instead write a full-length comedy. He notes that "Georges" – the family friend Egor Mikhailovich Lintvaryov – will soon visit Pleshcheev in Petersburg, references a request made in a letter to Anna Mikhailovna (probably Yevreinova, the editor at "Severny Vestnik") not to cut lines from his story, and closes with warm regards.

4 October 1888. Moscow.
4 октября 1888 г. Москва.
4 Oct.
4 окт.
Dear and kind Alexei Nikolayevich!
Дорогой и милый Алексей Николаевич!
I have copied out the story for "Severny Vestnik" [The Northern Herald] and sent it to the editorial office. I am worn out. Now I am waiting for the fee. All through September I sat without money, pawned a few odds and ends, and struggled like a fish on ice; every September is hard going for me, but this year, after a summer of idleness and living on credit against the future, September was especially bleak. I owed Suvorin 400 roubles; I have paid off 200...
Рассказ для "Северного вестника" переписал и послал в редакцию. Утомился. Теперь жду гонорара. Весь сентябрь я сидел без денег, кое-какие вещишки заложил и бился, как рыба об лед; каждый сентябрь мне круто приходится, в этом же году после летнего безделья и житья в счет будущего сентябрь был для меня особенно мрачен. Был должен Суворину 400 руб., отработал 200...
I sent you a letter at some point from Korsh’s theater. If "Brass Foreheads" [Shcheglov’s play] goes on at Korsh’s, don’t forget to conclude the agreement either through me or through whomever you like. Korsh pays 2% per act for original plays, and 1% for translated ones. Not much money, but money all the same, and it shouldn’t be thrown away... Your "Brass Foreheads" is not in the Dramatists’ Society catalogue. By the way: Korsh now pays the Society 6 roubles per act, not 5. Svetlov is a good actor and a fine fellow.
Как-то я послал Вам из театра Корша письмо. Если "Медные лбы" пойдут у Корша, то не забудьте через меня или через кого хотите заключить условие. Корш платит за оригинальные пьесы 2% с акта, а за переводные 1%. Деньги неважные, но все-таки деньги, и бросать их не следует... Ваших "Медных лбов" в каталоге драмат общества нет. Кстати: Корш платит Обществу уже 6 рублей с акта, а не 5. Светлов актер хороший и парень славный.
Pavel Lintvaryov called on me today. He has come to apply to the Petrovsky Academy, but the poor fellow, it seems, will not be admitted. He is under police surveillance.
Сегодня был у меня Павел Линтварев. Приехал поступать в Петровскую академию, но его, беднягу, кажется, не примут. Он под надзором.
Jean Shcheglov is visiting Moscow. His "The Summer Husband" had no success in Moscow, but, to all appearances, will succeed in Petersburg and in the provinces. In Moscow neither Pavlovsk, nor the summer husband, nor the summer servant, nor departmental service are understood. The play is very light and funny, and at the same time irritating: a moral has been pinned to the bustle of the summer wife. My opinion is that if dear Jean goes on in the vein of "The Summer Husband," his career as a playwright will not advance past the rank of captain. One cannot go on chewing the same type, the same city, the same bustle. After all, besides bustles and summer husbands there is much else in Russia that is funny and interesting. Secondly, he ought to drop the cheap moralizing. "Mountains of the Caucasus" was written with no pretensions to a moral, and for that reason had outstanding success. I advise Jean to write a big comedy, in five acts or so, and in any case not to abandon fiction.
В Москве гостит Жан Щеглов. Его "Дачный муж" в Москве успеха не имел, но, по всем видимостям, будет иметь его в Петербурге и в провинции. В Москве непонятны ни Павловск, ни дачный муж, ни дачная прислуга, ни департаментская служба. Пьеса очень легка и смешна и в то же время раздражает: к турнюру дачной жены прицеплена мораль. Я такого мнения, что если милый Жан будет продолжать в духе "Дачного мужа", то его карьера как драматурга не пойдет дальше капитанского чина. Нельзя жевать всё один и тот же тип, один и тот же город, один и тот же турнюр. Ведь кроме турнюров и дачных мужей на Руси есть много еще кое-чего смешного и интересного. Во-вторых, надо бросить дешевую мораль. "Горы Кавказа" написаны без претензий на мораль, а потому имели выдающийся успех. Я советую Жану написать большую комедию, этак в актов пять, и во всяком случае не бросать беллетристики.
You will soon see Georges. He is going to Petersburg.
Скоро Вы увидите Жоржа. Он едет в Петербург.
In my letter to Anna Mikhailovna I asked that not a single line be struck from my story. This request of mine is founded not on stubbornness or caprice, but on the fear that through editorial deletions my story might take on that coloring which I have always dreaded. I embrace you warmly and remain, with all my heart, your loving and devoted
В письме к Анне Михайловне я просил не вычеркивать в моем рассказе ни одной строки. Эта моя просьба имеет в основании не упрямство и не каприз, а страх, чтобы через помарки мой рассказ не получил той окраски, какой я всегда боялся. Целую Вас крепко и остаюсь сердечно любящим и преданным
My regards to your family.
Почтение Вашим.

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To A. N. Pleshcheyev, 4 October 1888. Moscow.

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