Letter · 1888

To A. S. Suvorin, 17 December 1888. Moscow.

А. С. СУВОРИНУ, 17 декабря 1888 г. Москва.

Headnote

1 Written from Moscow on 17 December 1888 to Alexei Suvorin, this letter is Chekhov’s detailed casting report on Suvorin’s play "Tatyana Repina," sent as a follow-up to a telegram, interleaved with a run of short items of news and requests. It falls two days before the Petersburg premiere of Chekhov’s own play "Ivanov" at the Alexandrinsky Theatre on 19 December 1888, and shows Chekhov himself at work revising that play in these same days.

2 Chekhov reports on his meeting with the Maly Theatre actress Nikulina, who arrived looking half-asleep and was startled to learn she had been cast as Kokoshkina rather than the title role of Repina (3); Chekhov told her bluntly that without her the part of Kokoshkina would go unfilled (4). Nikulina claims no one else can play Tatyana, reporting that Fedotova has declined the part and Ermolova is tied up with two other productions soon to open (5), and passes along requests that two supporting roles go to the actors Musil-and-Gorev and Lensky (6). Chekhov then editorializes sharply on actresses’ vanity and Nikulina’s possible motive for wanting the Tatyana role for herself (7), and warns Suvorin not to get his hopes up about Fedotova’s Kokoshkina, predicting she will play it worse than Nikulina would (8). A run of short items follows: a request to pass a rejected story by the writer Yezhov to Chekhov’s sister, and news that the steamer "Dir" – on which Chekhov and companions had sailed to Poti earlier that year – has been wrecked off the southern Crimean coast (9); a report that the newspaper editor Khudekov has telegraphed asking for a 200-line Christmas story at a fee of 100 rubles, which Chekhov says he will try to knock out (10); a one-line progress report on "Ivanov," which Chekhov says is coming along smoothly in prose but is not proving effective as stagecraft, with the first three acts judged acceptable (11); and an offer to be at Suvorin’s disposal for whatever is needed next (12). The letter closes with an extended list of greetings to Suvorin’s household and circle (13), a closing wish for good health (14), and the signature (15).

17 December 1888. Moscow.
17 декабря 1888 г. Москва.
17 Dec.
17 дек.
I sent you a telegram, dear Alexei Sergeyevich. Here are the details. Nikulina met me looking half-asleep; the whole time she kept blinking, as if she were being pestered by mosquitoes. When I told her she would be playing Kokoshkina, she grew flustered. "And here I thought I was to play Repina."
Я послал Вам телеграмму, дорогой Алексей Сергеевич. Вот Вам подробности. Никулина встретила меня заспанная; всё время она моргала так, как будто ее одолевали комары. Когда я сказал ей, что она будет играть Кокошкину, она смутилась.– А я думала играть Репину.
"Then there will be no one to play Kokoshkina," I said. "If you won’t play Kokoshkina, the part will simply be lost, and so on."
– Тогда некому будет играть Кокошкину,– сказал я.– Если вы не станете играть Кокошкину, то эта роль пропадет и проч.
By her account, there is no one but her to play Tatyana. Fedotova has supposedly refused, and Ermolova is up to her ears with Averkiev’s "Theophano" and Fedotov’s "The Prisoner of Chillon," which are going on soon.
По ее словам, кроме ее, играть Татьяну некому. Федотова якобы отказалась, а Ермолова занята по горло аверкиевским "Теофано" и федотовским "Шильонским узником", которые пойдут скоро.
Nikulina was sorry there are no parts for Musil and Gorev. She asked that Sabinin be given to Gorev, and Adashev to Lensky. Knowing Gorev, I said you might well agree to that.
Сожалела Никулина, что нет ролей для Музиля и Горева. Просила отдать Гореву Сабинина, а Ленскому Адашева. Зная Горева, я сказал, что на это Вы, быть может, согласитесь.
Actresses are cows who imagine themselves goddesses. To go calling on them is, in their own eyes at least, to go begging them for something. Otherwise I would have gone to see Fedotova and Ermolova myself to find out how much truth there is in what Nikulina says. It’s quite possible Nikulina wants the part of Tatyana for herself only to spite Ermolova or Fedotova. A Machiavelli in a skirt. Every woman her own kind of cleverness.
Актрисы – это коровы, воображающие себя богинями. Ездить к ним значит просить их – так по крайней мере они сами думают. Иначе бы я съездил к Федотовой и Ермоловой узнать, насколько права Никулина. Очень возможно, что Никулина хочет взять себе роль Татьяны только затем, чтобы насолить Ермоловой или Федотовой. Маккиавели в юбке. Что ни баба, то ум.
Don’t rejoice on Kokoshkina’s account. It’s no great catch that Fedotova will be playing her. She will play it worse than Nikulina.
Не радуйтесь за Кокошкину. Нисколько не соблазнительно, что ее будет играть Федотова. Она сыграет хуже Никулиной.
Be so kind as to give my sister the story of Yezhov’s that was rejected. Tell Alexei Alexeyevich that the steamer "Dir," on which we sailed to Poti this summer and suffered such torments, has given up the ghost: it was wrecked on the southern coast of the Crimea.
Будьте добры, дайте сестре забракованный рассказ Ежова. Скажите Алексею Алексеевичу, что пароход "Дир", на котором мы плыли летом в Поти и терпели муки, приказал долго жить: разбился о южный берег Крыма.
I got a telegram from Khudekov. He is asking me to send him a story of 200 lines for Christmas and is offering a hundred rubles for it. I’ll try to scribble up some sour little something.
Получил я от Худекова телеграмму. Просит прислать ему к Рождеству рассказ в 200 строк и предлагает за сие сто рублей. Постараюсь нацарапать какую-нибудь кислятинку.
I have already set to work on "Ivanov." In two days it will be ready. It’s coming out smoothly, but not effectively for the stage. The first three acts are all right.
Я уже принялся за "Иванова". Через два дня будет готов. Выходит складно, но не сценично. Три первые акта ничего.
I am waiting for further instructions from you. If I need to go to hell, I’ll go. I love seeing people off, matchmaking, standing best man. Please, don’t stand on ceremony with me.
Жду от Вас дальнейших полномочий. Если нужно в ад ехать – поеду. Я люблю провожать, сватать, шаферствовать. Пожалуйста, со мной не церемоньтесь.
I kiss Anna Ivanovna’s hand and bow down to the ground before her. To my sister, to Borya, to Nastya, to Alexei Alexeyevich, to Maslov, to Gey – greetings and regards to all. I am bored and sad.
Анне Ивановне целую руку и кланяюсь до земли. Сестре, Боре, Насте, Алексею Алексеевичу, Маслову, Гею – всем поклон и привет. Мне скучно и грустно.
Keep well.
Будьте здоровы.
Yours, A. Chekhov.

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To A. S. Suvorin, 17 December 1888. Moscow.

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